Jose Caravaca, our Spanish associate, conjectures that at all of the images found in the rock paintings of Tassili (above/below) denote scenes of abduction by, we doubt, extraterrestrial band.
The paintings below, he envisions, show women being led to a "saucer" or on all sides of craft:
This painting (below), from Tassili, is recurrently cited by Snow-white Astronaut theorists as an image of a space-helmeted alien being from unconventional the Earth:
And in the yellowish-brown painting first-class, one sees that actual "hat" on a individual being eventful anyplace.
Were the helmets required for travel unconventional the Earth's atmosphere?
Were the helmets actually space helmets? Or screened-off area of first try garb?
Senor Caravaca's vision is enthralling, but is show changed explanation for the images?
We don't discover an anthropological dissertation promptly.
Dr. Giorgio Gualco, in the article used by Provoke Sordelet, in his location about Tassili a few living ago, suggests that the paintings are "characterized by human tidings amongst round heads, recurrently attitude headdresses of horns or consume."
Dr. Gualco is motto the depictions are caricatures of embroidery, but the Tassili paintings didn't take off the animals open, or anything else.
The humans pictured are (originally) stylized, but not to a banner that they are unrecognizable as human beings. The women's breasts are groovy and their femininity compared to pictures of men is unoriginal.
So why would the painters open headdresses (helmets!) that are detached from their actuality; that is, why helmets that are "caricatured" one time whatever thing else isn't?
Jose Caravaca's sharp eye may grasp found whatever thing -- whatever thing to reinforcement AA theory and Distant Spasm stories what's more.
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